I know  a show of hands

Could go help  solidify

Some  Freedom Solidarity

In  some look-in lobster  tank.

.

Odds are  dismal to abysmal.

IF I can be more frank,

When the  independent  finch, for instance,

Finds her very own  airy currents home,

It’s a cinch  she might not light

(Her, broken on a branch?)  (perchance)

.

When It’s one chance

We had once gone

before  on the long ground,

We  look  down.

 

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G L A R E

August 11, 2017

I’ve had a share of furtive glares & glimpses

Clandestine tiny glares & glances

I now redden to reminiscences

I’m now ready  to try new roads

Step surer into newer eventualities

Bet dearer  on far-fetched gains

I’m pretty sure to shift to uplifting new payloads

Pretty sure  no hurricanes

It could all work out,  take root,

It’d  adapt.

If I’d  freely feel  to enrapture your eye

& I  enchant  your  glare

I SEE MY PRE-DOOM ROOM

July 24, 2017

 

 

I sweat my bed.

I do all  but dread  there,

One hundred undraped  dreamscapes.

I’d replay and replay

Heaven’s elevator tunes on tape.

Is it true  I did

Fluid-loss & exhaustion,

All that turning and tossing?

I sweat my bed.

First thing is shower head to head,

It takes cold water to weigh

This old man awake to stay down,

Away from high ground.

.

I’d  walked  hard

To find my feet,

To find a way unled

In this far town.

Winds of that farthest town

Of hers are zephyrean dread.

SOME ON LOSING YOU

July 22, 2017

 

 

 

“Outside… I’m masquerading,

Inside…My hope is fading..”

-Smokey Robinson, from  ” Tracks Of My Tears”

.

I’ve seen  winters and  springs

Since I’ve seen a winning hand

But I’m at a loss to say

About losing.

It’s not farfetched to say

I’ve not too far to fall

But it’s best & for the best

For rain and tears to fall

I’m meant not to miss all this all

.

.

I encounter seeing faces I have seen, Countenances

I believe  I know,   abit a blur

I can see the many apparences

Surely, all the one, to me  all lure.

Always

From somewhere  a ways

So familiar in a dream that

Sentences formed for her

presences   are pointless,

When a smile from an eye

is enough.   Not enough.

.

.

A close look!  Too late.  Those closing elevators.

One shine on a glass, as she passes.

A wave or a nod wayover another streetside.

A bolt  from our sure bond  that burns

From another car just as it turns.

We’re silent together and calm

Fifty arms apart in a crowd

In a loud throng.

I’ll see you for a sliver

In all this  time & space, long

In all this  space & time, a pace or two somehow wrong.

OUR PAIRNESS

July 22, 2017

 

 

It wouldn’t, understandably,

Be unwise,

Though circumspect,

You look directly into the seeing eyes

Of an astute, & ably Miss

And ask  the tallest florist

“What’s the apt blossom symbolism

Best for telling  my steady;

‘You know already..

Our  Pairness   (no lie)

Best Real izes     Oh Relief

As we  just justify

Our  being'”

.

“Those, that nosegay  near the ceiling”

 

 

 

 

OK  I hate that “soulmate” is a fowl cultural cliche’

But it likely could be lifeblood, & have a saving Grace,

But  a  burndon

when things go wrong

And one  one can barely live with

A burndon  one can hardly lay with,

Stay with   when things go wrong

When a soulmate might come  to separate some

Then a burndon  might act up some

might oh might

Just combust some

 

 

IT’S DELICATE BUSINESS

February 23, 2017

 

 

It’s a damned near full moon

It’s clear,  a bracing

evening.  I’ll exhale out

to trace the treeline  off

to a nothing northern florida town.

She sat at a flea market

where tons of townies in camouflage jackets

pressed past her at her table and chair.

Her pronounced pretty eyes

were the ideal quirk for gypsy fortune tell work.

Green, like beach glass.

How might they see me?

How can she be expected to espouse

All Ahead  for me   there?

At that table & chair there, exposed

to that flea market crowd?

Men, off to gun tables.

Women, drawn up the way

where puppies are given away

(hunting dogs no doubt)

How Soul-intimate can my gypsy and I get?

Can she pull out

All that’s in

In all of this dumbed down din?

It’s delicate business…

There’s this inarticulate air here

Against which…without a hitch..

.I want to wonder over every word..

I want to wonder for every prophetic word.

How can we do this with clothes on?  Absurd.

.

I can see, by the chance

of this damned near full moon,

I’ll watch the line of my breath dance

just off the distant treeline,

Off to tomorrow’s full sun soon.

.

.

.

.

(at least a half dozen years back)

B R E A K

February 22, 2017

 

 

 

 

 

Stoicism is a prison/

Though I break out/

Though I break down/

Through the  pull of a merciful act/

I can be old and too weak to hold back/

I can imagine a troubled

panicked angel tangled double;

One cat caught in a grate/

A girl unfair in a wheelchair/

Nears and dares her balance, her endurance, her tolerance/

She Strains all of her weight/

She shows the pain that she’s used to  on her face/

Then relief,

and they’re both free

She and the cat both refuse to

Cry more,

Like those that might see

,

.

.

.

.

.

(from 2008ish)

 

 

 

 

how Art thou? Do you drink from the deep sink of inspired creations at an art museum, gallery, or maybe a street art fair on a street near you?sometimes?
Do you have something on one of your walls that only you could only fall for?
And, can’t help but stare?
It’s an important thing,dontcha think?
It has been from an early age for me.
I’m told that soon after I found my father who had killed himself (the Hemingway), while all the distraught adults who knew and loved him were off balance with emotional and practical adjustments (like selling the house and moving on)
One forgotten first son had got into several paint cans and expressed quite a colorful statement on the backside of the new house for sale.
I
I was perched  high for me
in a pinepitchtree
and waited out what I did
as I watched our house’s back side
where I painted from all the paint cans
stacked out back. Though very new plans
made us move away from that life.
Daddy had died and left that life.
Somebody and something could only cover
my work.

II

a french girl with hair from the girl in Breathless
was our art teacher that visited
Miss Blue’s 3rd grade class,
and liked my painting so much
she asked if she could take it
for a contest, or a book she was working on.
The blurry greens and blacks,
browns and blues,  was a ship deep in a storm.
I never saw it again but
somebody and something could only recover
my work.

 

 

still, tie me to the mast.

and

I must get the next good grasp
still, the next limb up
to see some.

NEW HEART SETTLELINGS

February 14, 2017

 

 

Eyes out to recognize   passion:

It’s flatbacked against a dark wall

In the basement, burrowing deeper into sad shadow.

I’d bet it’s hiding some, a child’s cruel game.

When people see they’re empty

They write in to newspapers & ask real advice,

Exposing & espousing about

“Spicing up”  their  love lives.

Girls & boys buying new nightclothes,

Sex-scents, and other eaus,

Bought to butter up their battered beaus,

Enhancing  romance drugs

From teevee, junk mail,

And toys that are tools

For fixing whats failed.

.

There’s always 

something new,

Someone new/ anything new.

Venture steps forward

Away from the old?

Nature’s warmblooded creatures

Home in on  settleings  less cold.

.

.

.

“life is like a stage, I guess

love is stages of undress”

 

.

.

.

.

.                                                                    (from 2009)